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Alice Bailly
February 25 1872 - January 01 1938
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Photograph of Alice Bailly, ca. 1926, unknown photographer. The Alice Bailly Foundation, St. Blaise, Switzerland
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Place of Birth:
Geneva
Nationality:
Swiss
Phonetic Spelling:
AL-ihs (b-eye)-yee
Work Type/Media:
Drawings and prints, Painting
Artistic Role(s):
Mixed Media Artist , Muralist, Painter, Printmaker
Style:
Cubism, Dada, Fauvism, Futurism
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Artist's Biography:
Alice Bailly was one of Switzerland's most radical painters in the early decades of the twentieth century. Bailly was born in Geneva, where she attended separate women's classes at the École des Beaux-Arts. By 1906, Bailly had settled in Paris, the center of avant-garde culture; there she became friends with a number of modernist painters including Juan Gris, Francis Picabia, and Marie Laurencin. Bailly was in Paris exhibiting her early wood engravings, when the radical style known as Fauvism first came to the fore. She was inspired by that style's bold use of intense colors, dark outlines, and emphatically unrealistic anatomy and space. In 1908, her new paintings hung at the Salon d'Automne alongside the art of the principal Fauve painters.

At the age of thirty-nine, Bailly developed her own variation on an even more radical kind of art: Cubism. In 1912 her work was chosen to represent Switzerland in a traveling exhibition seen in Russia, England, and Spain. When World War I broke out, Bailly, returned to Switzerland, where she invented "wool paintings," mixed-media works in which short strands of colored yarn imitated brush strokes. She made approximately fifty wool paintings between 1913 and 1922 and received an award for them when they were displayed in Paris in 1925.

Bailly was briefly active in the Dada phenomenon. She then moved to Lausanne in 1923 and stayed there for the rest of her life, continuing to exhibit regularly and promote the cause of modern art. In 1936 Bailly accepted a commission to paint eight large murals for the foyer of the Theatre of Lausanne. This monumental task led to exhaustion, which presumably made Bailly more susceptible to the tuberculosis that claimed her two years later. Her will directed that the proceeds from the sale of her art be used for a trust to help young Swiss artists.

Place(s) of Residence:
Paris
Geneva
Where Trained/Schools:
Oregeville Institute, Paris, France (1910-1911) École des Beaux-Arts, Geneva, Switzerland (1891-1895)
Related Visual Artists:
student of Hugues Bovy friend of Marie Laurencin friend of Juan Gris friend of Francis Picabia friend of Raoul Dufy friend of Alexandre Blanchet friend of Casimir Reymond friend of Albert Gleizes friend of Jean Marchand friend of Sonia Lewitzka friend of André Lhote friend of Cuno Amiet friend of Kees van Dongen friend of Alexandre Cingria
Fellowships, grants and awards:
Commission, Foundation for the Arts, Lausanne, Switzerland (1936) Award, Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris, France (1925)
Earliest exhibition:
Rêverie d'Enfant, XVI Exposition Municipale, Geneva, Switzerland (1900)
NMWA exhibition(s):
Four Centuries of Women's Art: The National Museum of Women in the Arts
Artist retrospective(s):
Alice Bailly: Exposition du Centenaire, Kunsthalle Bern, Bern, Switzerland (1933) Alice Bailly: Exposition du Centenaire, Musée de l'Athénée, Geneva, Switzerland (1932)
Related places
Lausanne (died at)
The Clara database is no longer being updated. This database will be retained as an access point for our artist files. Artist profiles are now a featured component on the NMWA website. For artists who are not in our collection: we are in the process of creating a user-submitted registry that will be available by 2015. Thank you for your patience as we create new content to better serve researchers, members, and artists.

© 2008-2012 National Museum of Women in the Arts, Washington, D.C.