NMWA Logo - Home
spacer
About NMWA
The Collection
Exhibitions
Education / Programs & Tours
Library and Research Center
Clara - Women in the arts database
dot Archives on Women Artists
dot Special Collections
dot Artists' Books
Outreach
Membership and Giving
Publications
Museum Shop
Facility Use
   
   
Spacer
ResourcesNewsCalendarContact UsSearchShopping Basket
National Museum of Women in the Arts
Clara Database of Women Artists
close [x]
Advanced Search
Search for:
More Search Options:
Artistic Roles:
Styles:
Work Type/Media:
Nationality:
Minority Group:
Find:
SEARCH
SEARCH
Search Options Login/Register
Natalya Nesterova
April 11 1944 - present
image
Photograph of Natalya Nesterova, courtesy of Hal Bromm Gallery, New York, NY, USA
image
Place of Birth:
Moscow
Nationality:
Russian
Phonetic Spelling:
nah-TAHL-yah (NEE-YEST)-err-ah-vah
Minority status:
White non-Hispanic
Work Type/Media:
Painting
Artistic Role(s):
Painter
Style:
Other
Bookmark this artist [+]
Artist's Biography:
Natalya Nesterova was born into a family of artists: her parents were both architects and her grandfather, who lived with the family during her childhood, was a Russian Avant-Garde painter and art instructor. Encouraged from an early age to pursue her creative interests, she attended the Moscow Secondary Art School as a teenager and, later, the Moscow Surikov Art Institute, where she received classical training in composition, still life, and figure painting.

Shortly after graduating from the Institute, Nesterova became a member of the Artists’ Union of the USSR, an organization of professional visual artists who were approved and supported by the Soviet state. Although she enjoyed the benefits of her “official” status – a guaranteed job, free studio space, and the exposure of all-union exhibitions – she rejected the heroic and propagandistic subject matter typically endorsed by the Union, preferring instead to paint the everyday lives of ordinary Russians.

Rendered in a heavily impastoed, neo-primitive style, her works conjure familiar scenes made mysterious through the use of psychological allegories. Figures engaged in such common activities as lounging on a beach or strolling through a park are positioned and manipulated by the artist to suggest isolation and confinement. The resulting image communicates impressions of social commentary, nostalgic fantasy, and emotional expression, yet eludes concrete analysis. Nesterova has perpetuated the air of mystery that permeates her works by refusing to discuss their psychological and metaphysical subtexts.

Although Nesterova came to prominence in the art world as a markedly Soviet artist, her themes have proved autonomous and durable, and today, in the post-Soviet era, she is recognized simply as one of the most important contemporary Russian artists. She continues to live and paint in Moscow.

Place(s) of Residence:
Moscow
Where Trained/Schools:
Moscow Surikov Art Institute, Moscow, Russia (1968) Moscow Secondary Art School, Moscow, Russia (1962)
Related Visual Artists:
student of Alexei Gritsai student of Dmitry Zhilinsky student of Sergei Shilnikov
Fellowships, grants and awards:
Honorary Gold Medal, Russian Academy of Arts, St. Petersburg, Russia (2004) Triumph Prize, Moscow, Russia (2002) Best Artwork of the Year, Moscow, Russia (1989, 1986, 1982)
Earliest exhibition:
Exhibtion of Four Painters: Gadaev, Mesheriakova, Nesterova, Statschenietskaya, Kusnietskij Most Exhibition Hall, Moscow, Russia (1974)
NMWA exhibition(s):
Natalya Nesterova: Summer Reflections
Artist retrospective(s):
Natalya Nesterova, The State Russian Museum, St. Petersburg, Russia (2005)
Who is Clara? | Conditions of Use | Privacy Statement | Login/Register
© 2008 National Museum of Women in the Arts, Washington, D.C.